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The rhythmic guitar strums and the funky drum beats only made the song more alive and captivating in its own way. Its breezy horn and string arrangements make a polished form of pop music, a similar style used in jazz classics during the ‘60s period of the Western Culture. Opposed to most songs of its time, “Plastic Love” also differentiates itself by its melancholic lines as a contrary to the upturned beat prominent of its genre. And just like a memory being dug up again, nostalgia hits back to long lost feelings we never knew we had. The sensation becomes clearer as the song goes on as the rhythm and beat brings along our own what-ifs and other bittersweet memories, as though the song was a diary entry of the life we had before. Incorporating a city pop style, “Plastic Love” reminisces of a time and place most of its listeners had never been to – nighttime in the suburban Japan during the ‘80s. Over 20 million views were recorded in such a short span of time as the song receives positive reviews from different communities and cultures. However, the song’s peak was not reached until three years ago after it was posted on YouTube, allowing listeners both inside and outside Japan listen once again to a time gone by. See also: Earn with no risks involved and no deposit required right now! It was only after the “extended club mix” and “new re-mix” were released the next year the song cemented its part in Japanese music culture as the single reached 86th on the Oricon Singles Chart. Yet, “Plastic Love” was only moderately received by Japanese listeners with just over 10,000 copies sold.
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The song was written by Takeuchi herself with her husband Tastsuro Yamashita as the producer. Initially released on November 19, 1984, in Japan, “Plastic Love” was a single from Takeuchi’s sixth studio album, “Variety”, through label group Moon Records (now renamed as EastWest Japan). However, one question still remains, is “Plastic Love” actually good? Many netizens were inspired by the moving post, causing a large growth of positive reactions and comments to both Takeuchi and the song – a feat “Plastic Love” had not achieved for the last three decades. The said post was from a comment in YouTube thanking Takeuchi’s song for taking a great part in the writer’s love life. This post that went viral in social media a few weeks back caused the resurgence in popularity of in Japanese singer-songwriter Mariya Takeuchi’s iconic “Plastic Love” once again, almost 36 years after its first release. A few years later, you decided to get married and start a family of your own, proving that a true love is unbreakable no matter the time and distance. However, you were surprised to see her again five months later in America. And as what you have feared, she stopped sending you letters. Then one day, your family decided to move to the United States, leaving her in your hometown with only mail letters as your way of communication. This type of set-up would continue every time you go to the library to the point that you became good friends with her.
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Many comments have been written in English and other languages, including Korean rather than Japanese.You were just coming out of a book store when a girl suddenly invited you to hold her hand. The official YouTube music video of “PLASTIC LOVE” by eill has been watched over 770.000 times (as of October 2nd). As many media have already mentioned, the revival of Japanese “city pop” music has been viral in many countries recently, and ‘PLASTIC LOVE’ by Mariya Takeuchi is one of the songs which started this trend. To begin with, the combination of eill and the song “PLASTIC LOVE” is an interesting one. Of course the arrangement by Tatsuro Yamashita is just great but at the same time eill’s version of “PLASTIC LOVE” has brilliant balance as a pop song in 2021. The lyrics and melody of the original song, which was first released in 1984, is still fresh.
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Most of all, eill's delicate voice cannot be forgotten once you hear it and her singing is very delicate, causing a great impression that will stay with you. The usage of digital effects is quite catchy and has an amazing effect on the vocals. The tempo of the song is slightly slower than the original one and the arrangement is just perfect - it's not overdone too much or not enough. The arrangement is made by the producer Yaffle, who is one of the leading figures in the Tokyo music scene. This cover song is available to listen to through major music streaming services. This song is originally from the album “VARIETY” by Mariya Takeuchi which was first released in 1984. Eill has been rocking the music industry with her latest release of “PLASTIC LOVE” this past week.